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Proza. --- Terc, Abram,
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Lexicology. Semantics --- Stilistics --- Journalism --- Theses --- Metaforen. --- Nieuwsbladen. --- Corpuslinguïstiek. --- Journalistiek proza.
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Narration. --- Point de vue (Littérature) --- 82-3 --- Proza. Fictie. Narratologie --- Theses --- 82-3 Proza. Fictie. Narratologie --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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Doelstelling: Deze scriptie wil nagaan in hoeverre het interpretatieve vertaalmodel van Lederer toepasbaar is het geval van literaire teksten. Middelen of methode: Het interpretatieve vertaalmodel van Lederer en de analyse van Fortunato Israël voor literaire teksten leveren de principes van de gehanteerde vertaalmethode . Na de vertaling van 16 hoofdstukken van Toon Tellegens "Dora, een liefdesgeschiedenis" worden concrete voorbeelden en moeilijkheden besproken en voorzien van commentaar. Resultaten: Een literaire vertaling heeft tot doel hetzelfde effect te bereiken als de originele tekst. De literaire vertaler moet rekening houden met stijlaspecten die mede bepalend zijn voor de betekenisoverdracht. Hij probeert via andre middelen analoge effecten te sorteren.
Analyse stylistique. --- Arthur Langeveld. --- Fortunato Israël. --- Mieke Bal. --- Narratologische verhaalanalyse. --- Traduction littéraire. --- Vertaling met commentaar. --- Volwassen proza.
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Fiction --- anno 1500-1799 --- Netherlands --- Criticism --- Dutch fiction --- European fiction --- History --- History and criticism. --- History and criticism --- 839.3-3 "16/17" --- Nederlandse literatuur: proza--?"16/17" --- Theses --- 839.3-3 "16/17" Nederlandse literatuur: proza--?"16/17" --- Criticism - Netherlands - History - 17th century --- Criticism - Netherlands - History - 18th century --- Dutch fiction - History and criticism --- European fiction - History and criticism
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Fiction --- Comparative literature --- anno 1900-1999 --- Autobiographical fiction --- First person narrative. --- History and criticism. --- 82-3 --- Proza. Fictie. Narratologie --- Theses --- 82-3 Proza. Fictie. Narratologie --- First person narrative --- Narrative, First person --- Literature --- Narration (Rhetoric) --- Point of view (Literature) --- Persona (Literature) --- History and criticism --- Technique --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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Fiction --- French literature --- Colette, Sidonie G.C. --- Flaubert, Gustave --- Duras, Marguerite --- French fiction --- Narration (Rhetoric) --- Roman français --- Narration --- History and criticism. --- Histoire et critique --- History and criticism --- 82-3 --- -Narration (Rhetoric) --- #SBIB:309H507 --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Proza. Fictie. Narratologie --- Code en boodschap: narrativiteitstheorie --- Theses --- 82-3 Proza. Fictie. Narratologie --- Narration (Rhetoric). --- Roman français --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- French fiction - History and criticism
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Dutch literature --- anno 1700-1799 --- Netherlands --- Nederland --- 839.3-3 "17" --- Dutch fiction --- -Dutch literature --- -Orient in literature --- Oriental literature --- Asian literature --- Flemish literature --- Nederlandse literatuur: proza--18e eeuw. Periode 1700-1799 --- Oriental influences --- History and criticism --- Theses --- Comparative Literature. --- Literary History. --- Oriental influences. --- History and criticism. --- 839.3-3 "17" Nederlandse literatuur: proza--18e eeuw. Periode 1700-1799 --- Orient --- In literature. --- LITTERATURE NEERLANDAISE --- CONTES ORIENTAUX --- LITTERATURE ORIENTALE --- ORIENT DANS LA LITTERATURE --- LES MILLE ET UNE NUITS --- 1500-1800 --- HISTOIRE ET CRITIQUE --- INFLUENCE
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Der theoretische Schwerpunkt der Arbeit liegt auf der Episode als der kleinsten geschlossenen Einheit erzählter Handlung. Die Episode wird definiert als ein Interpretationskonstrukt des Lesers, der eine Reihe distinkter Sachverhalte in der fiktionalen Welt als eine transformationelle Serie aus genau zwei Ereignissen konstruiert. Dieser Vorgang hat den konkreten Text zur Basis; er bezieht jedoch darüber hinaus sowohl das Weltwissen des Lesers ein und verläuft in Abhängigkeit von bestimmten logischen und semiotischen Regeln, die den Status von De-facto-Universalien des Lesens von Handlung besitzen. Neben der Formulierung neuer Definitionen für die Kernbegriffe Ereignis, Episode und Handlung stellt die Arbeit in einem computerphilologischen Teil eine neu entwickelte Softwareanwendung vor, die als Werkzeug zur Identifizierung, Auszeichnung und Analyse von Ereignissen im narrativen Text dienen kann. “Computing Action” takes a new approach to the phenomenon of narrated action in literary texts. It begins with a survey of philosophical approaches to the concept of action, ranging from analytical to transcendental and finally constructivist definitions. This leads to the formulation of a new model of action, in which the core definitions developed in traditional structuralist narratology and Greimassian semiotics are reconceptualised in the light of constructivist theories. In the second part of the study, the combinatory model of action proposed is put into practice in the context of a computer-aided investigation of the action constructs logically implied by narrative texts. Two specialised literary computing tools were developed for the purposes of this investigation of textual data: EVENTPARSER, an interactive tool for parsing events in literary texts, and EPITEST, a tool for subjecting the mark-up files thus produced to a combinatory analysis of the episode and action constructs they contain. The third part of the book presents a case study of Goethe's “Unterhaltungen deutscher Ausgewanderten”. Here, the practical application of theory and methodology eventually leads to a new interpretation of Goethe's famous Novellenzyklus as a systematic experiment in the narrative construction of action - an experiment intended to demonstrate not only Goethe's aesthetic principles, but also, and more fundamentally, his epistemological convictions.
82:800 --- 82:1 --- 82-3 --- Literatuur en taal --- Literatuur en filosofie --- Proza. Fictie. Narratologie --- Artificial intelligence. --- Narration (Rhetoric). --- Artificial intelligence --- Narration (Rhetoric) --- Engineering & Applied Sciences --- Computer Science --- 82-3 Proza. Fictie. Narratologie --- 82:1 Literatuur en filosofie --- 82:800 Literatuur en taal --- Narrative (Rhetoric) --- Narrative writing --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Bionics --- Cognitive science --- Digital computer simulation --- Electronic data processing --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- E-books --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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Fiction --- Literary semiotics --- Discourse analysis --- Narration (Rhetoric) --- Gothic revival (Literature) --- Tales --- Analyse du discours --- Narration --- Littérature frénétique --- Contes --- History and criticism --- Histoire et critique --- 82-34 --- 820-3 --- 82-392 --- -Horror tales --- -Horror --- Horror --- Horror fiction --- Horror stories --- Horror tales --- Scary stories --- Scary tales --- Tales, Horror --- Terror --- Terror tales --- Ghost stories --- Folk tales --- Folktales --- Folk literature --- Literary movements --- Revival movements (Art) --- Romanticism --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Sprookje. Legende. Mythe --- Engelse literatuur: proza --- Literatuur. Algemene literatuurwetenschap--?-392 --- Theses --- Discourse analysis. --- History and criticism. --- -Sprookje. Legende. Mythe --- 82-392 Literatuur. Algemene literatuurwetenschap--?-392 --- 820-3 Engelse literatuur: proza --- 82-34 Sprookje. Legende. Mythe --- Gothic revival (Literature). --- Narration (Rhetoric). --- -Fiction --- -Narrative (Rhetoric) --- Littérature frénétique
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